alain rouschmeyer
Contemporary Figurative Painter
Along the way – a quest between space and posture
I paint presence.
A posture, an angle, a space crossed.
My figurative painting, rooted in Haute-Savoie, seeks that suspended moment when the body quietly settles into a place.
Nothing heroic — just a breath, a balance, a silent dialogue between the human figure and its surroundings.
It is there, in that almost nothing, that I anchor my contemporary paintings.
In the same studio, three sensibilities coexist.
Three distinct gestures, carried by the same silence.
Alain Rouschmeyer, Camille Rouschmeyer, and Alyne Auromischer: three voices that, along the way, compose a sensitive dialogue between posture, material, and gaze.
Camille Rouschmeyer explores nature as a moving memory.
I search for presence — for posture within space.
And Alyne Auromischer?
She is the other side. An inner voice, a mirrored game.
Her name is an anagram of mine.
She signs my stolen dreams, my displaced figures.
Her painting unfolds a dreamlike and forgotten world, yet one whose theatricality remains intensely alive.
Camille Rouschmeyer
Camille Rouschmeyer paints nature as a sensitive memory.
Her canvases capture the moment between two breaths: a reflection on the lake, the shimmer of a moving sky, the density of vegetation, the birds of the shore.
Her painting explores matter in its silences and slowness, like an intimate echo of the living world.
Each landscape becomes a place crossed, inhabited by the quiet emotion of the elements.
Alyne Auromischer
Alyne Auromischer paints figures of unrest, disguise, and drifting memory.
Her scenes seem to emerge from an inner elsewhere — both theatrical and secret.
She signs my stolen dreams, my displaced figures.
Her painting unfolds a dreamlike and forgotten world, yet one whose theatricality remains intensely alive.
VISIBLE WORKS: THREE UNIVERSES, THREE VOICES
A selection of original works — canvases and works on paper — available for purchase.
Three universes, three figurative voices, between inner light, sensitive landscapes, and dreamlike scenes.
Each piece is unique, signed, and ready to join a collection or a place to inhabit.
Take the time to look. Let the one that resonates within you come forward.
Alain Rouschmeyer – La fille dans les draps bleus, toile 100 × 100 cm
Alain Rouschmeyer – La vieille maison à Duingt, encre sur papier
Camille Rouschmeyer – La caresse des nuages, toile 60 × 80 cm
Alyne Auromischer – Noces, toile 100 × 100 cm
THE ARTIST’S BLOG
ARTWORK OF THE MONTH JUNE: “Décrochages” (Unhookings)
Suspended momentum, gentle tension, fragments of a shifting balance...
“Décrochages” (2021) explores the moment when everything begins to waver.
This large-format painting, praised during its first exhibition, invites you to reconsider gravity — both internal and external.
🎁 With this artwork: a framed work on paper, selected by the artist, along with a signed copy of the catalogue “Alain Rouschmeyer – Artist”.
💌 A handwritten note from the artist accompanies every acquisition.
THE STUDIO LETTER
Behind each painting lies a path—a step, a hesitation, a glimpse of light.
From time to time, I open a window onto that journey.
If these fragments from the studio speak to you, feel free to subscribe.
We often hear this phrase: “Art for everyone.”
It sounds full of good intentions. Generous, democratic, open.
And yet, every time I hear it, it makes me uncomfortable.
Because beneath this apparent benevolence, I sense an injunction. A reduction. A betrayal.
No one ever says “A Ferrari for everyone,” or “A vintage wine for everyone.”
So why should art be made universally accessible, at the risk of losing its complexity, its depth, its demands?