Alain Rouschmeyer - Lake series
Alain Rouschmeyer - sketches
Alain Rouschmeyer - The Girl in blue - 70 x 70
Camille Rouschmeyer – Between a passion for nature and life by the lake
Alain Rouschmeyer – works on paper, framed and ready to hang
Alain Rouschmeyer - Dance series
Alain Rouschmeyer - Décrochages - 100 x 100
Alain Rouschmeyer - The girl in the blue sheets - 100 x 100
Alain Rouschmeyer - urban sketch
Alyne Auromischer - clown - 50 x 50
“I paint the figurative moment
when the human posture
whispers its attachment”
alain rouschmeyer ⎪Contemporary Figurative Painter
Along the way – a quest between space and posture
I paint presence. A posture, an angle, a space crossed. My figurative painting, rooted in Haute-Savoie, seeks that suspended moment when the body quietly settles into a place. Nothing heroic — just a breath, a balance, a silent dialogue between the human figure and its surroundings. It is there, in that almost nothing, that I anchor my contemporary paintings.
In the same studio, three sensibilities coexist.
Three distinct gestures, carried by the same silence.
Alain Rouschmeyer, Camille Rouschmeyer, and Alyne Auromischer: three voices that, along the way, compose a sensitive dialogue between posture, material, and gaze. Camille Rouschmeyer explores nature as a moving memory. I search for presence — for posture within space. And Alyne Auromischer? She is the other side. An inner voice, a mirrored game. Her name is an anagram of mine. She signs my stolen dreams, my displaced figures. Her painting unfolds a dreamlike and forgotten world, yet one whose theatricality remains intensely alive.
Camille Rouschmeyer ⎪ figurative and impressionist painter
Camille Rouschmeyer paints nature as a sensitive memory. Her canvases capture the moment between two breaths: a reflection on the lake, the shimmer of a moving sky, the density of vegetation, the birds of the shore. Her painting explores matter in its silences and slowness, like an intimate echo of the living world. Each landscape becomes a place crossed, inhabited by the quiet emotion of the elements.
Alyne Auromischer ⎪Figurative painter exploring dreamlike dimensions
Alyne Auromischer paints figures of unrest, disguise, and drifting memory. Her scenes seem to emerge from an inner elsewhere — both theatrical and secret. She signs my stolen dreams, my displaced figures. Her painting unfolds a dreamlike and forgotten world, yet one whose theatricality remains intensely alive.
VISIBLE WORKS: THREE UNIVERSES, THREE VOICES
A selection of original works — canvases and works on paper — available for purchase. Three universes, three figurative voices, between inner light, sensitive landscapes, and dreamlike scenes. Each piece is unique, signed, and ready to join a collection or a place to inhabit. Take the time to look. Let the one that resonates within you come forward.
Alain Rouschmeyer – La fille dans les draps bleus, toile 100 × 100 cm
Alain Rouschmeyer – La vieille maison à Duingt, encre sur papier
Camille Rouschmeyer – La caresse des nuages, toile 60 × 80 cm
Alyne Auromischer – Noces, toile 100 × 100 cm
VIRTUAL TOUR with Augmented Reality access
THE ARTIST’S BLOG
ARTWORK OF THE MONTH SEPTEMBER: “LA FILLE EN BLEU” (The Girl in Blue)
THE GIRL IN BLUE – Contemporary Figurative Painting – Alain Rouschmeyer – Acrylic on Canvas – 70 × 70 cm
A young woman walks forward, her slender figure wrapped in a luminous blue dress, carried by the calm of a summer afternoon.
Her pace is unhurried, a white bag resting on her shoulder, as her body seems naturally drawn toward the horizon where the water glimmers.
The surrounding space unfolds in geometric fragments: rectangles of light and shadow, vertical lines of towering trees, and the serene horizontals of the lake.
Within this interplay of shapes and layers, nature itself turns almost abstract, becoming a visual stage where the human figure finds harmony.
The painting captures a simple moment — a quiet walk toward the lake — and transforms it into a scene of contemplation.
The blue dress becomes a symbol of freedom, of inner movement, a subtle passage between reality and dream.
This contemporary figurative painting invites serenity and poetic vision.
It is now available. For inquiries or acquisition, please feel free to contact me directly.
We often hear this phrase: “Art for everyone.”
It sounds full of good intentions. Generous, democratic, open.
And yet, every time I hear it, it makes me uncomfortable.
Because beneath this apparent benevolence, I sense an injunction. A reduction. A betrayal.
No one ever says “A Ferrari for everyone,” or “A vintage wine for everyone.”
So why should art be made universally accessible, at the risk of losing its complexity, its depth, its demands?