artistic approach
I paint the human figure as a presence that takes its place.
In my paintings, the body explains nothing: it inhabits.
Between spatial rigor and contemporary figurative painting,
posture becomes a silent language — an attachment..
EN
the posture
The human posture runs through my work as a sensitive line.
It carries a restrained expressiveness, a narrative held in suspension,
never imposed, only suggested.
The body is not described for itself.
It becomes the site of a silent narrative,
set within a space that receives it and holds it.
Posture does not illustrate a story.
It marks its threshold.
architecture and space
Space is not conceived as a prior frame.
It reveals itself through the relationship it establishes with the figure.
Within it, the body measures distance, tension,
sometimes withdrawal.
It inscribes itself without dissolving,
as if searching for a just way of being there.
What interests me is not architecture as form,
but what it induces:
a way of standing, leaning, waiting.
contemporary figurative painting
My work belongs to a contemporary figurative practice.
It seeks neither quotation nor demonstration.
The figure remains central,
not as a subject to be represented,
but as a point of presence,
open to the viewer’s interpretation.
Some works extend this research through specific situations.
My works do not seek to impose meaning.
They offer a time for looking,
a presence to be experienced.
Works listed on the art market (iCAC reference).
Artist referenced by a European art market expert.
Member of the ADAGP,
the Maison des Artistes
and the Taylor Foundation.