Habiting Intimacy

About the painting La fille dans les draps jaunes, acrylic on canvas, 120 × 80 cm

There are moments that ask for nothing.
They do not seek explanation, nor narration.
They exist in a state of quiet surrender, barely perceptible.

La fille dans les draps jaunes belongs to such moments.

Yellow fills the space — not as a vibrant color, but as a lived material.
It envelops the bed, folds, creases, stretches.
It becomes a silent field of forces within which the body settles without resistance.

The female figure lies down, seen from above.
The gaze does not dominate; it accompanies.
It follows the line of a back, the curve of a leg, the resting point of a foot.
Nothing is demonstrative.
Everything is held.

The body as place, the bed as architecture

In this painting, the body is not placed on the bed —
it belongs to it.

The sheets are not a backdrop.
They are a territory.
Their stripes, their thickness, their apparent disorder construct a soft, shifting architecture, almost organic.

The human figure inhabits this space as one inhabits something familiar.
Without tension.
Without expectation.

This is not a nude offered to the gaze,
but a body relieved of function.
A body that stops being seen in order simply to be.

A restrained narration

No clear story unfolds.
Nothing indicates what comes before or after.

This narrative silence is not emptiness;
it is an invitation.

Each viewer may project their own memory, sensation, inner tempo.
Morning may be near, or very far away.
The light is neither warm nor cold — it is interior.

The painting does not describe an intimate scene.
It establishes a state.

Figurative painting of attachment

What runs through this work is a discreet form of attachment.
Attachment to the body, to matter, to immediate space.

The posture is not spectacular.
It is simply right.

In my work, the human figure often becomes a point of balance between presence and withdrawal.
Here, it plays no role.
It performs nothing.
It settles.

The gaze, in turn, is invited to slow down.
To remain.
To accept not understanding immediately.

Artwork details

  • Title: La fille dans les draps jaunes - (The girl in the yellow sheets)

  • Medium: acrylic on canvas

  • Dimensions: 120 × 80 cm

  • Original unique artwork

An ongoing exploration of intimacy

This painting belongs to a broader exploration of human posture as a silent language.
The body does not tell a precise story here.
It suggests a way of being in the world — fragile and stable at once.

To paint this moment is to accept that it can never be fully grasped.
That it remains, in part, suspended.

For any inquiry about this artwork, a direct exchange is preferred.
View the work in the selection.

Alain Rouschmeyer

Alain Rouschmeyer est surtout connu pour ses peintures acryliques sur toile moyen format et ses dessins contemporains à l’encre. Observateur du quotidien, il analyse la balade humaine à travers les postures et les espaces traversés, comme pour sonder le banal et en capturer le parfum. Son itinéraire artistique l’invite à travailler l’architecture dans laquelle il aime porter la réflexion sur les espaces de vie et les transversalités qui en définissent les usages. Comme un poète analyste, le travail d’Alain Rouschmeyer navigue entre réalité et intimité laissant apparaitre l’attachement et le détachement au gré d’une volonté consciente. Il explore la dimension cachée d’un quotidien qui ne cesse de nous interpeller comme une musique de jazz ou un blues chaleureux. Le romantisme dont il assume intégralement la traduction contemporaine et intemporelle habite le support comme un espace impliqué.

https://www.alainrouschmeyer.art
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